Art, Painting Commissions and Prints from Surrey Artists

Artist: Ali Cockrean

Artist: Ali Cockrean

Manhattan Purple - Ali Cockrean - National Acrylic Painters' Association - Surrey Artists

Manhattan Purple

Image Size: 62cm x 76.2 cm
Art Medium: Acrylic on Canvas
Framed – contemporary light wood floating frame
Price: £525
Limited Edition Giclée Print on Canvas (20 only)
Framed – 48.3cm x 58.5cm – Contemporary light wood floating frame – £250
Unframed – 40.6cm x 50.8cm – Contemporary gallery canvas, ready to hang – £195
Each print supplied with authenticity certificate

Commissions Invited

Contact The Artist

Ali Cockrean

Contemporary Artist in Acrylics
National Acrylic Painters’ Association
Please mention the Surrey Artists website

Phone: 01844 342 201
Mobile: 07742 888 302
Email: alicockrean@gmail.com
Website: alicockrean.weebly.com

Gallery Of Art

About The Artist

Ali Cockrean exhibits nationally and her work appears in collections in Europe and Canada. Born in 1962, Ali became an artist at the age of 15, when she began exhibiting and selling work. While she is largely self-taught, Ali’s art education includes formal tuition, most recently at Central St. Martins College of Art and Design and Slade School of Fine Art.

“My inspiration to paint always comes directly from within. It is the emotion and mood that is generated by a specific event; visual or auditory experience that forms the essence of the work, rather than the event or experience itself. Painting ‘feelings’ is always a challenge. I firmly believe that in order to consistently produce fresh, innovative and exciting work, artists must constantly challenge their own boundaries and push themselves beyond their comfort zones to discover their true abilities and potential.”

Ali Cockrean - Surrey Artists - Three Shades
At the moment, my preoccupation is with exploring how colour, line and form influence our reactions to familiar places or objects. In particular, I am exploring how far it is possible to abstract an image, yet still retain the essence of the original in the mind’s eye. What happens when the form is constant, but the colours change from those we traditionally expect? How does this affect our mood or emotive response?

These themes are common to all my recent work.”