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Image Size: 84cm x 44cm
Art Medium: Watercolour
Original Painting – Sold
Commissions Invited
Paintings in Watercolour and Acrylic
and Art Teacher
Phone: 07941 562 162
Please mention the Surrey Artists website
Email: info@alanbrainart.com
Website: alanbrainart.com
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Alan Brain discovered painting about twelve years ago when he attended a water colouring class with some friends. It led to a change of direction that he has never regretted. Today, his unique style, combined with spiritual awareness, produces works of unusual vibrancy and colour. As a former pilot and constant flyer, the immensity of the heavens with its changing moods has fascinated Alan. It features in many of his paintings where he manages to capture the vastness and mysteriousness of space.
His early years in Japan may have enhanced his bold view of landscapes and skies and you can see in his work the influence of wonderful open spaces to be found in places such as Wales, Arizona, New Mexico and Africa, all of which Alan visits regularly. However, such harmony with nature cannot be taught, it is an intrinsic part of the artist that we are fortunate to glimpse.
Alan exhibits several times a year in and around his home in Chobham Surrey, England. His work has been accepted for several prestigious exhibitions in London, including the Guild of Aviation Artists and the Society of Marine Artists. Alan also applies his teaching skills (he was a Flying Instructor) and helps his fellow artists through his course called ‘Find You Own Painting Direction’ and by one to one tuition. He believes it is important to give something back to those less fortunate than ourselves and is a strong supporter of the Samaritans charity; a percentage from his painting sales are contributed to his local branch.
Find out more and see his work on alanbrainart.com
Notable Exhibitions include:
Royal Society of Marine Artists at the Mall Gallery London
Guild of Aviation Artists at the Mall Gallery London
The Royal Watercolour Society at Bankside Gallery London
Art Groups:
Farnham Art Society, Sunningdale Art Society and Woking Art Society
Art Medium: Stained, opaque glass and mirror
Designed to hang on a wall
Price: Please contact the Artist
Similar pictures of any work can be made – each piece is unique,
due to the colours and cutting of the glass.
Commissions Invited
Stained Glass Mosaics
Phone: 0208 394 0970
Please mention the Surrey Artists website
Email: susanneparker@ntlworld.com
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Susanne Parker, having previously worked in oils, pen & ink drawings, fabrics, pottery and jewellery, has now uniquely adapted the ancient technique of creating mosaics from small pieces of glass.
Decorative images of birds, animals, flowers, trees and landscapes are combined with imaginative, abstract patterns. The compositions are often based on nature, trying to capture splendid colours and offering a more positive view of our polluted world. The pictures can hang in a window with light from behind or, in the case of the larger landscapes, which include opaque as well as thick patterned and mirror glass, can be placed on a wall, as they do not need background lighting.
All Susanne’s work is made of stained glass pieces cut individually, embedded in cement and framed by lead or wood. She uses this technique because it allows her to cut small detail and to exploit the design of the background cement as well as the colours in the glass. The brittle nature of glass and the hard-edged, clear-cut images suit the artist’s style. Round or S shapes are the hardest to cut because glass tends to break in straight lines or at angles. At times, the pieces are built up into three-dimensional, more experimental compositions, allowing the artist a free range of expression. Each piece of glass is unique because the colours and the cutting of the glass differ in every design.
The sizes of the works vary from 50cm to 1 metre across. Glass is quite an expensive medium. It is manufactured in all colours and textures, either hand-made or by machine. Some glass is particularly costly, especially the reds, because they contain precious metals in their chemical make-up.
A wide variety of glass is available – antique glass with surface bubbles and irregular texture; streaky, cathedral glass with multiple colours; clear rolled glass; flashed glass; Victorian edged glass and many others. Any size of window – Individual designs can be produced on commission.
Susanne has been featured in Homes and Gardens magazine and in various newspaper articles covering local exhibitions. Her largest public commission is the Village Hall front door in Longstock, Hampshire.
Prices vary considerably depending on the size, complexity and material of the picture. Also, if it’s a commission, there will be extra time involved to make a design and adapt it to stained glass. Every picture, whatever material, is assembled from individually cut pieces of coloured glass. The glass is obtained from a glass producer and is of varied value, red being extremely expensive, other colours much cheaper. The design may require lots of detail which means many more hours work, so only a general guideline to pricing can be given. This also leaves room for negotiation.
Mosaic Tree (30cm x 45cm) sold for £250 as an example.
Art Medium: Mixed Media
Image Size: 20″ x 20″
Commissions Invited
Lightwater, Surrey
Professional Artist, Art Tutor
and Art Society Demonstrations
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After qualifying as an Adult Education tutor in 1979, Liz followed a successful career teaching weekly classes in drawing, watercolours, and mixed media for Surrey, Berkshire and Hampshire County Councils from which she retired in 2003.
Liz now concentrates on a busy schedule, demonstrating to Art Societies throughout the country and teaching residential courses at Dedham Hall near Colchester, Essex, Earnley Concourse in Sussex, and other centres.
She has also contributed to several books including ‘The Artists’ Sketchbook’ and ‘Watercolour Plus’ and writes regular articles for ‘The Artist’ magazine. In addition, Liz is a well-known authority on artists’ materials and has demonstrated for most of the major manufacturers.
In London, she exhibits regularly at Mall Galleries with the Royal Institute of Painters in Watercolour and The Society of Women Artists to which she gained elected membership in 1993. In addition, she is a full member of the Society of Floral Painters with whom she exhibits twice a year. An active and committed member of many local Art Societies, she has recently been elected President of the Arun Art Society.
Liz has a widespread reputation for still life and floral and landscape paintings (many of which have been regularly reproduced as greetings cards and prints by major companies). Her main inspirations are light, colour and the heathland landscape around her home in Lightwater, Surrey.
Art Medium: Mixed Media
Image Size: 12″ x 12″
Commissions Invited
Professional Artist, Art Tutor
and Art Society Demonstrations
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Born into an artistic and theatrical family in 1943, Liz has been painting and drawing all her life. She spent an unconventional childhood living in St. James’s Palace, where her father was a member of the Royal Household. After studying art to A level at school, she worked for four years at the Natural History Museum, where her duties included illustrating the publications and lectures of zoologists researching there. This was followed by several years of part time study at various colleges and with a number of eminent artists including Edward Wesson.
After qualifying as an Adult Education tutor in 1979, Liz followed a successful career teaching weekly classes in drawing, watercolours, and mixed media for Surrey, Berkshire and Hampshire County Councils from which she retired in 2003.
Liz now concentrates on a busy schedule, demonstrating to Art Societies throughout the country and teaching residential courses at Dedham Hall near Colchester, Essex, Earnley Concourse in Sussex, and other centres.
She has also contributed to several books including ‘The Artists’ Sketchbook’ and ‘Watercolour Plus’ and writes regular articles for ‘The Artist’ magazine. In addition, Liz is a well-known authority on artists’ materials and has demonstrated for most of the major manufacturers.
In London, she exhibits regularly at Mall Galleries with the Royal Institute of Painters in Watercolour and The Society of Women Artists to which she gained elected membership in 1993. In addition, she is a full member of the Society of Floral Painters with whom she exhibits twice a year. An active and committed member of many local Art Societies, she has recently been elected President of the Arun Art Society.
Liz has a widespread reputation for still life and floral and landscape paintings (many of which have been regularly reproduced as greetings cards and prints by major companies). Her main inspirations are light, colour and the heathland landscape around her home in Lightwater, Surrey.
Art Medium: Mixed Media
Commissions Invited
Professional Artist, Art Tutor
and Art Society Demonstrations
The page you requested could not be found. Try refining your search, or use the navigation above to locate the post.
After qualifying as an Adult Education tutor in 1979, Liz followed a successful career teaching weekly classes in drawing, watercolours, and mixed media for Surrey, Berkshire and Hampshire County Councils from which she retired in 2003.
Liz now concentrates on a busy schedule, demonstrating to Art Societies throughout the country and teaching residential courses at Dedham Hall near Colchester, Essex, Earnley Concourse in Sussex, and other centres.
She has also contributed to several books including ‘The Artists’ Sketchbook’ and ‘Watercolour Plus’ and writes regular articles for ‘The Artist’ magazine. In addition, Liz is a well-known authority on artists’ materials and has demonstrated for most of the major manufacturers.
In London, she exhibits regularly at Mall Galleries with the Royal Institute of Painters in Watercolour and The Society of Women Artists to which she gained elected membership in 1993. In addition, she is a full member of the Society of Floral Painters with whom she exhibits twice a year. An active and committed member of many local Art Societies, she has recently been elected President of the Arun Art Society.
Liz has a widespread reputation for still life and floral and landscape paintings (many of which have been regularly reproduced as greetings cards and prints by major companies). Her main inspirations are light, colour and the heathland landscape around her home in Lightwater, Surrey.
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